All work
Client — Multiple clients
Year — 2026

Radio ads
yes, people still
listen to the radio.

Production, sound design, and mixing for radio spots across multiple clients. The scripts came from talented ad writers — I was responsible for making them sound like they belonged on air. This is a small sample of the work.

Featured spot

Kooler Koils Kooler Garage Doors

Fig. 01 — Kooler Koils, final mix Production / Contrast Logic
Theatre of the mind
Production
60s
Standard length

I said it too — people are still listening to the radio.

These scripts were not written by me — they were written by some very talented ad writers. My job was the other half: production, sound design, and mixing. Taking the words off the page and building the sixty-second world around them.

Each brand had its own tone, its own rhythm, its own kind of fun. The production had to serve the writing, not upstage it.

Multiple spots. Multiple clients. All broadcast-ready.

The spots aired across their respective markets and the production stood up to the writing — which is the highest compliment in this kind of work. When the writing is good, the producer's job is to not get in the way while quietly making everything better.

The ongoing relationship with these writers is the kind of collaboration that works: they write, I produce, the clients hear something worth airing.

/ Listen — broadcast-ready spots

Kooler Garage Doors

Copy — Fletcher Bumphrey / Matthew Burns

  • Kooler Koils
  • Kooler Karaoke
  • Kooler Karate

Tommy Cool

Copy — Jack Heald / Matthew Burns

  • Pop Pop Pop
  • Daylight, Twilight, and Even After Midnight
  • Pinto Beans

NTX Gutters

Copy — Matthew Burns

  • Pocket Tuna
  • Jingle Boots
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